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Index Runway

The runway · Spring 2026

In motion.

Twenty-four pieces, always moving. Hover to pause, click to shop.


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Spring 2026 collection

01.

Six exits, in running order.

The order they walked out, what each look was wearing, and where every piece is hanging now.

  1. 01

    On at 19:34

    The first call.

    Sleeves pushed past the elbow, tote on the shoulder, walked quicker than we rehearsed.

    Look 01: the chalk linen shirt worn with a natural cotton tote
    View look

  2. 02

    On at 19:36

    Stone, at noon.

    The crewneck over the tee, hem left out on purpose. Two layers you can wear from April to the first rain.

    Look 02: the stone linen crewneck layered over a bone cotton tee
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  3. 03

    On at 19:38

    Ash, belted.

    The look that lost its hem at the last fitting and walked out anyway, six stitches later.

    Look 03: the ash belted overshirt, cinched at the waist
    View look

  4. 04

    On at 19:39

    Sage in the courtyard.

    Merino over linen, collar out. The only look that paused at the door to let the evening light in.

    Look 04: the sage merino crew with a chalk linen collar showing
    View look

  5. 05

    On at 19:41

    Clay and oat.

    Lambswool underneath, the clay overshirt worn open like a jacket. Warm colours for a cold room.

    Look 05: the clay overshirt worn open over an oat lambswool sweater
    View look

  6. 06

    On at 19:43

    The last exit.

    The camel coat, buttoned once, with the field throw carried over one arm like it was going home.

    Look 06: the camel wool coat with a field wool throw over the arm
    View look

All six looks are in the shop tonight, with free EU shipping over €80 and 30 days to change your mind, same as any other day.

Open the lookbook

02.

Show notes.

We pushed the cutting tables to the walls, swept the floor twice and walked the spring collection through the room it was made in.

There was no stage and no second pass. Six looks came out of the sample room, went the length of the atelier past the pressing station, turned at the rack of Belgian linen and went straight back in. Eleven minutes, start to finish, counting the pause when the cello needed retuning.

Nothing was made for the show alone. The chalk shirt that opened it is the one we have been cutting since February, and the camel coat that closed it is the same coat hanging in the shop. Every piece you saw was made in Portugal, and every one of them can be ordered tonight.

Taken down backstage, typed up the next morning.

More from the atelier

03.

Backstage, before the first exit.

A seamstress closing a loose hem by hand in the sample room
19:12

A hem on look 03 came loose at the last fitting. Six stitches, a borrowed needle, back on the rail by twenty past.

Two frames from the sample room, taken on a phone between fittings. Nobody was looking at the camera.

Close-up of creased Belgian linen, left on the sample-room table
19:26

We gave up on steaming the chalk shirt. Belgian linen creases again by the first turn, so we let it.

From the show

Straight off the runway.

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